I am an artist, researcher, and creative technologist working at the intersection of interactive media, participatory storytelling, and historical narratives. My practice and interest is dedicated to uncovering ignored stories, generational trauma, and overlooked histories, using emerging technology to create immersive and engaging experiences.

My work spans a range of media, from augmented reality, projection mapping, and data visualization to UX research, interactive installations, and filmmaking. Some projects reframe historical events and conflicts, such as visualizing partition and border tensions through digital storytelling. Others explore how we engage with social issues through interactive experiences, such as designing data-driven interfaces, speculative futures, and game-based storytelling. I also work with material culture and endangered crafts, finding ways to merge traditional art forms with contemporary digital techniques. Across all my projects, I aim to create spaces for reflection, dialogue, and engagement, often involving community-driven and participatory approaches.

The selected works below represent my interdisciplinary practice, aligning with Hunter College’s emphasis on co-creation, artistic experimentation, and socially engaged art.